Moving Image, Flim & Installation
Constant conjunction #4
video installation
2020
Video still
Constant Conjunction #Flower
1920 x1080HD.
5mins 26sec
2020
Video still
Constant Conjunction I
mixed Media, video installation
2020
introduction video [included installation views]
The project attempts to construct a ‘dialogue’ between them through parallel videos installations. ‘How much volume can be reduced before you can perceive silence?’
installation details:
studio process:
(video testing)
(The video is the recording of the video installation combined with the moving image work.)
Constant Conjunction III
mixed Media, video installation
2020
The project creates a dreamlike imagination space and establishes a world parallel to reality. It is like a secret that belongs to tea and flowers: What roles can they play after getting rid of the fixed patterns in the Ikebana and cha-no-you styles? 作品在营造了一个梦境般的想象空间，构建了一个平行于现实的世界。这像是一个属于茶与花影的秘密，他们在摆脱茶道与花道的固定模式之后，扮演着怎样的角色呢？
installation views:
“The flowers in the tea-ceremony are pressed into battle: Some flowers glory in death - certainly the Japanese cherry blossoms do, as they freely surrender themselves to the winds,” said by Okakura. The shadow of flowers is like a second spirit of people, swaying on the curtain with ink wash painting. 花影像参与到茶仪式中的人的第二个灵魂，摇曳在画着ink wash painting的纱帘上。
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The ‘secondary dyeing’ changes the original appearance of these two photos and establishes a ‘space of difference.’ It creates a ‘gap’ between real images and cognition in the tea ceremony. Behind the performance of the tea ceremony is the relationship between ‘observing’ and ‘being observed.’ ‘二次染色’的过程改变了两张照片原本的样子，建立了一个‘差异的空间’。在真实图像与认知之间形成‘裂隙’。
studio process:
lunhua.kong
video testing:
Constant Conjunction #Rain
1080 x1920 HD video
11min 54sec
2020
该作品探索了观看⾏为背后的⼆元论观念。通过构建⼀个富有禅宗精神的⾬后世界，试图反思当代的禅宗文化与茶道之间的关系。在真实世界、图像与观念之间，是“零”与“⼀”之 间，“有”与“⽆”之间的⽆尽“灰⾊”。
video still:
Constant Conjunction #Rain
1080 x1920 HD video
2020